okumak Digital Audio Editing: Correcting and Enhancing Audio in Pro Tools, Logic Pro, Cubase, and Studio One internet üzerinden

Excellent! I bought the book a few months ago and it's been my go-to source ever since. I've been using Cubase for a while and found it baffling for many seemingly simple tasks but this book has solved them all. There are also some excellent accompanying online videos the book gives details on. Two great things about both: Simon not only explains how to do things but also why and which approach is most appropriate, and things are presented at a sensible pace that you really get under the skin of the challenges. I'm a drummer but I've recorded the whole band into a 16-track hardware unit, then uploaded into Cubase. The book has been a great help with fixing timing issues and editing sound files to best effect. Much more helpful than the official Cubase videos or manual!

I really is a good help as I am new to editing Well put together. I really is a good help as I am new to editing, especially in Studio One 3.

Five Stars good book I like that you can work from video tutorials it covers logic X and Pro Tools

This is an excellent technique instructional First, this is NOT intended for audio recording and editing neophytes! It is for the experienced editor who wants to learn advanced techniques for corrective, creative and restorative editing. While primarily oriented toward Pro Tools, Logic Pro, Cubase and Studio One, the techniques can be applied to any moderately sophisticated DAW (Digital Audio Workstation). You may have to search for the specific controls in other programs. The book is principally text with a few black and white illustrations which some have found fault with. I don't: this is a book filled with specific instructions and explanations of what you are doing a certain thing. It is not a learn-by-pictures kind of thing. It is a teaching manual, not a picture book. For example, the (very detailed, very interesting) chapter on time-stretching has twelve solid pages of explanation on what time-stretching is before it moves to ten pages of application specific instructions. For the audio technician who knows something, but not everything, this is an excellent technique instructional. For those who are just starting out, look elsewhere. Jerry

A good read. A welcome addition to your arsenal. We are often faced with the challenges of operating the plethora of tools available in today's advanced DAW's, and there are a lot of technical publications geared at just that. Although this book glances at some of those specifics, it doesn’t go into them too deeply. What it does is look at recording conceptually. The author has provided three main sections; corrective editing, creative editing, and restorative editing. Each section is comprised of several chapters. Even though the book centers more on the theoretical, at the end of every chapter it concludes with a hands-on approach. Comprehensively enough the hands on sections cover each of the most popular DAW’s mainly Pro tools, Logic One, Cubase, and Studio One. My first computer-based recording system comprised of a Windows DOS based 286 with a MIDI card that would record digital based instruments, mainly my Roland synth while at the same time producing an SMTPE time code in order to sync with my Sony 4 track reel to reel tape recorder which would handle all the analog instruments such as guitar and voice. The author reflects on that era and how it evolved into the here and now. This book being grounded in theory as well as some hands-on is a good treatise for the intermediary technician looking for a way to conceptually approach their art. The author has a lighter prose style and understands the material so well that his conceptual jargon is easy to understand in light of the application he is trying to illustrate. All in all an enjoyable read as well as an enlightened one